Image Image Image Image Image Image Image Image Image Image

Salad Days Magazine | September 8, 2024

Scroll to top

Top

No Comments

Cold Gawd shares ‘Gorgeous’

Cold Gawd shares ‘Gorgeous’
Salad Days

The new single appears on ‘I’ll Drown On This Earth’, out August 30 on Dais Records.

Southern California shoegaze squad Cold Gawd are preparing to release their second and most supreme suite yet of crushing downer bliss, ‘I’ll Drown On This Earth’. From the defiant scream that kicks off opening cut ‘Gorgeous’ the album rips in what singer and principal songwriter Matthew Wainwright describes as “go for it” mode. Although the bulk of the songs were written in 2022, recording sessions weren’t booked until March of 2024, which allowed ample time to refine and distill the music’s hooks, heaviness, and haze. The result is a perfect storm of distortion and dreampop, cracked love songs cloaked in swooning walls of noise. Of the single, Wainwright says: “‘Gorgeous’ picks up where ‘Passing…’ leaves off. I thought if I addressed all the issues and changed my scenery then my heart would be free and I could start again. However, all of what was holding me down followed with me and what I thought would “fix” me proved to be nothing if not more harmful. By the end of the song I’ve drowned to the bottom of Mooney Falls and I’m looking for that hand to hold to bring me back up.” Recorded at Paradise Recorders in Anaheim, CA with Colin Knight (of post-punk unit Object Of Affection), Wainwright tracked the strings while Cameron Fonacier handled drums. The process was efficient and effective, sharpened by years of performance. The songs sound as dynamic as they do dialed-in, soaked into the bones of the players. The lyrics came last, written by Wainwright a week before recording. Moods of surreality, infatuation and melancholy flicker and fade within a fog of memory and reverb. As on ‘God Get Me The Fuck Out Of Here’, Cold Gawd’s classic but contemporary vision of shoegaze manifests intriguingly in outlier moments. Theirs is a muse as vivid as it is varied, from ‘Loveless’ to Drake to post-hardcore to Beach House. Album evocatively captures the expanding canon of the band, dense with riffs and raptures, escape and revelation, channeled from stacked amps and hidden powers.

Photo by: Liam Wallis

Live dates:
July 25 San Diego, CA @ Casbah
July 26 Los Angeles, CA @ Lodge Room
July 27 Sacramento, CA @ Starlet Room
July 29 Seattle, WA @ Madame Lou’s
July 30 Vancouver, BC @ Fox Cabaret
July 31 Portland, OR @ Polaris Hall
August 2 San Francisco, CA @ Rickshaw Stop #
August 30 Los Angeles, CA @ Genghis Cohen $
September 8 Santa Ana, CA @ Observatory %

November 2 Seattle, WA @ Vera Project ^
November 3 Portland, OR @ Polaris Hall ^
November 4 Corvallis, OR @ C3 Ballroom ^
November 6 TBA
November 7 TBA
November 8 Phoenix, AZ @ Nile Underground ^
November 9 Albuquerque, NM @ Launchpad ^
November 11 Austin, TX @ Empire Control Room ^

# w/ Spiritual Cramp and Ultra Q
$ Record Release Show w/ Britty Drake and Vatican Voss
% w/ Soft Kill, Beton Arme and Concrete Elite
^ w/ Gouge Away

‘I’ll Drown On This Earth’ tracklist:

Gorgeous
Portland
All My Life, My Heart Has Yearned For A Thing I Cannot Name
Duchamp Is My Lawyer
Malibu Beach House
Tappan
Nudism
Bird in Space

Submit a Comment